Julia Fox is no stranger to statement-making style. While her red carpet attire has previously showcased the weird and wonderful – from shoes made of hair extensions to sci-fi chic silver metallic ensembles – even when she's off-duty, the model turned actress turned author has been known to raise a few eyebrows. Just last week she donned heeled Crocs to hike a mountain while on holiday in Greece, the bejewelled rubber sandals hardly practical footwear for sightseeing ancient ruins.
So, did we expect anything less from her latest look? No, and we're pleased to say she did not disappoint. Attending a red carpet premiere during the 19th Rome Film Festival for her new film The Trainer, Julia daringly went braless under a blue Adidas track jacket that she wore open. The bomber jacket was entirely unzipped save for a small section at the neck, zipping the collar all the way up to just beneath her chin.
Borrowing from the boys, the jacket was part of menswear designer, Willy Chavarria's spring summer 2025 collection, originally shown on a male model. Julia recreated the full runway look, pairing the revealing top with a white flowing maxi skirt that had a thigh-high leg slit. With a thick ribbed waistband, Julia wore the maxi low on her hips to create an on-trend drop-waist silhouette.
To further emphasise the athleisure chic feel of the outfit, Julia added a white skull cap over the top of her blonde bob and accessorised with a Dsquared2 black and white rectangular bag, carried in one hand wearing a monochromatic fingerless glove. Her beauty look perfectly coordinated with the entire ensemble, the subtle blue eyeshadow linking the cobalt jacket and Julia's black and white nails nodding to her skirt and clutch.
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Alexandria Dale is the Digital Fashion Writer at Cosmopolitan UK. Covering everything from the celebrity style moments worth knowing about to the latest fashion news, there’s nothing she loves more than finding a high street dupe of a must-have designer item. As well as discovering new brands, she’s passionate about sustainable fashion and establishing the trends that are actually worth investing in. Having worked in fashion journalism for six years, she has experience at both digital and print publications including Glamour and Ok!
