New York Fashion Week might have just come to a close, but that doesn't mean we're about to forget some of the major looks, inspiration and memorable moments it gave us. Those, my friends, will last a lifetime. Look, from a fashion show at Anna Delvey's house to some of the best fashion week street styles we've seen in a hot minute, there is *so* much to unpack from such a short space of time.
But one look we really want to talk about was Julia Fox's bridal attire that she wore to sit front row at the Wiederhoeft Spring Summer 2024 show. (For those about to get hitched and are looking for some serious wedding inspo, listen up btw.)
Of course, Julia is known for her daring and outrageous personal style, so it was no surprise when she turned up to the event looking as though she was going to walk down the aisle, not the runway. Nevertheless, the whole ensemble was a major slay that we're currently obsessed with.
To recap, the 33-year-old donned a white corseted Wiederhoeft mini bridal gown (Kourtney in Portofino vibes, anyone?) which featured floral embroidery and satin bows just below the hip line, complete with sheer stockings and white buckled gladiator platforms. Julia then added some elbow-high statement gloves that featured barbed wire and cupid prints, plus a mini Y2K purse with 'Till Death Do Us Part' etched on the front.
To complete the OTT ensemble, Julia donned a huge white sheer veil that covered her head and entire body, which was finished with an excessive amount of tulle trim around the bottom.
*Chef's kiss*
Sophie Williams is a Freelance Journalist and Copywriter, covering everything from Fashion to Entertainment to music, Lifestyle and Features. She has interviewed a range of musical artists and authors including Alyssa Edwards, Courtney Barnett, Confidence Man, The Vaccines, Loyle Carner, Gabrielle, and John Niven, and has written for publications like Metro, Reader's Digest, ITV's Woo! and Vice’s NBGA. She is also working on a book for HarperCollins about Taylor Swift, due to be published in 2024.
